New Musik - Projects
Electronic Counterpoint
Solo for recorder and live-electronics
The counterpoint of the traditional instrument recorder in combination
with live-electronics.
In compositions and improvisations guitar pedals, multitracks and software
such as MAX/MSP are being used.
List of repertoire and new pieces in 2009
recorder +live-electronics:
Klarenz Barlow …Until.... (1972/2000)
Sopranino recorder and sinus tone
John Cage Three (1984)
soprano-, alto-, tenor-, bass-, subbass- and
contrabass recorder
(version with 2-track-tape)
Christopher Fox Winds of Heaven (1984)
for ampl. Tenor recorder and tape delay
Johannes Fritsch Kyo Mu (1982)
recorder and tape
Georg Hajdu Tsunami (2008)
recorder and live-electronics
Hanna Kulenty A Fifth Circle (1994)
flute and delay
hans w. koch digitizer (2000)
tenor recorder and live-electronics
Johannes Kretz Nocturne (1995)
recorder and live-electronics
Ulrich Krieger Black Smoker (2009)
bass-/ contrabass recorders and live-electronics
Sascha L. Lemke Re:re:re (2009)
recorder and live-electronics
Roland Pfrengle Melodie (2004)
contradictions for soprano recorder and computer
Steve Reich Vermont Counterpoint (1982)
Flute and tape (10 tracks)
Ana M. Rodriguez Havanita II (2004)
recorder and live-electronics
Fausto Romitelli Seascape (1994)
amplified contrabass recorder
Marc Sabat Erbsen (2009)
recorder and live-electronics
Oliver Schneller Turbulent Space (2005)
recorder and live-electronics
Manfred Stahnke ImpansionExpansion (2006/08)
bass/ tenor recorder and live-electronics
Karl-Heinz Stockhausen SOLO (1969)
melody instrument and featback
Download Audio Example (MP3)